David gilmour clean amp settings A fuzz through a Marshall isn't going to sound like Gilmour, it will sound like Hendrix. David Gilmour's Gallien Krueger 250ML amp with white tic marks showing some of his settings. Im well aware that David Gilmour used a hiwatt for much of the 70s. His amps (Hiwatts) also have a lower mid range, so you can emulate that by turning down your mids, but even on the Hiwatts Gilmour has his mids at 40%, bass at 50% and treble up towards 60%. In this new series, I'm deep diving into every album and every song, explaining the There are not many photos from this period where David's actual pedal settings can be seen clearly, but below are general settings that work for most of the high gain lead tones, neck pickup overdrive, and clean tones. It’s been featured on some of rock history’s most iconic solos. It might be the best pedal platform amp (fuzz in particular!) out there, probably due to its very unique phase inverter stage that remains quite clean unlike most other guitar amps. Try neck or neckmiddle for lead sections,and bridge for the rythem chorus sections. Maybe the profiles I have suck. David Gilmour of Pink Floyd has been a long time user of compressors to get more sustain on his clean tone. Since people liked that, i though i should make another video abou Sharing Settings! POD HD500 SLASH Tone MARSHALL Amp Simulation [PATCH - USB Recording]. Any clean amp, boss katana will do, heck you can even get the head version and a 4x12 to be more like him. Dec 27, 2017 · To help you find your own signature fuzz tone, we decided to show you how some of the pedal’s most famous fans carved out their biggest sounds with the help of a beastly Big Muff. Gilmour tones: Animals – Final Cut Boss CS Boss’ compressor is somewhere between the smoother sounding studio compressors, like the Effectrode PC-2A, and the slightly more aggressive Dyna Comp. Sep 17, 2025 · David Gilmour’s sound creation goes beyond mere gear selection; it involves a meticulous approach to EQ adjustments, spatial processing, and overall mixing techniques. Quick Guide to Pink Floyd Amp Settings To sound like David Gilmour of Pink Floyd, start with the following amp settings: Gain: 3-4 Bass: 5-6 Mids: 6-7 Treble: 4-5 Remember that these settings should just be used as a starting point. EQ settings always depend on the pickups, amp, what effects you combine them with and the venue so be sure to always match your EQs to this. See full list on killerrig. Firstly, is there a reason he preferred the Hiwatt over the fender twin? I understand the main appeal was that the Hiwatt has a shitload of headroom so it's an ideal pedal canvass. Gilmour would suggest that he is using it more for the compression portion, while keeping the sustain in a middle position. The idea behind this setting is simple: you dial your delay effect TWIN REVERB SETUP - This HM-2/Big Muff combo works perfect when running it into a clean Hiwatt DR103 or Reeves, but requires some slightly different settings when using a mid scooped Fender amp, like the Fender Twin Reverb. In this video i'm presenting 3 tone samples for Read more: settings and setups With Luck and Strange, David Gilmour is continuing the down to earth and intimate sound he established with his 2006 release, On an Island. The CS-2 is a more musically sounding compressor, which gives a nice smooth compression to the tone of the guitar. In this installment of Potent Pairings, Joe Shadid takes us on a deep dive through the amp and effects chain behind some of Gilmour’s most legendary sounds—from Meddle to The Wall —and shows how to approximate them with gear you can actually find on Reverb today. You must remember this, Those settings are used for a stadium show, set to produce for a huge arena, not your 8 x 10 bedroom, and not your 100 x 100 bar. With that said, the rest of the article is designed to guide you Dark Side of the Moon settings and setups Read more: gear run-down Keep in mind that all effect settings and setups are based on pictures and video from a certain date and/or interviews and 3rd hand transcriptions that are subject to interpretation. Below is a link to a song-by-song list of Gilmour's delay settings, compiled from measuring the echo repeats in official releases and bootlegs of live recordings, and from delay times visible on the LCDs of his digital delays. May 5, 2014 · For recreating David Gilmour’s tones I recommend fuzz for 1968-75 and Big Muff from 1977 to present. GILMOUR'S HIWATT SETTINGS - Below are David Gilmour's Hiwatt settings from photos taken during various Pink Floyd and David Gilmour solo concerts. I will even go to the extent and say it is essential for some of his most memorable works. He set the volume around 9:00 for the tour. In this video I'll try to use a very generic big muff with very generic overdrive to Live 8 settings and setups Read more: gear run-down Keep in mind that all effect settings and setups are based on pictures and video from a certain date and/or interviews and 3rd hand transcriptions that are subject to interpretation. tqpxo wqaek atvvj zrtoxfq mmka dryc trmwuo flgz wksqouzy jft oecqd lxcs nrfqh hkgjvpc uxazvb